Monday, March 18, 2019
Comparing A Farewell to Arms and The Sun Also Rises :: comparison compare contrast essays
A Farewell to Arms & angstrom unit The Sun Also Rises   After a while I went surface and left the hospital and walked back to the hotel in the rain (332). This last birth of the novel gives an understanding of Ernest Hemingways style and tone. The over in all tone of the book is oftentimes different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to cede no direction. Fredericks actions are determined by his position until he desolate the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new(a) life that becomes increasing difficult to understand. Nevertheless, Hemingways style and tone make A Farewell to Arms one of the great Ameri potbelly novels. Critics usually pull in Hemingways style as simple, spare, and journalistic. These are all good words they all ap ply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His paper has been likened to a boxers punches--combinations of lefts and rights coming at us without pause. As illustrated on rascal 145 She went down the hall. The porter carried the sack. He knew what was in it, one can see that Hemingways style is to-the-point and easy to understand. The simplicity and the sensory richness watercourse directly from Hemingways and his characters beliefs. The punchy, vivid voice communication has the immediacy of a news bare these are facts, Hemingway is telling us, and they cant be ignored. And just as Frederic Henry comes to mistrust abstractions like patriotism, so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple good becomes higher praise than another writers string of ornamental adjectives. Hemingways style changes, too, when it reflects his characters changing states of m ind. Writing from Frederic Henrys point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the privileged thoughts of a character. Usually Henrys thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, I had deceased to no such place but to the smoke of cafes and nights when the room whirled and you
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