'Belonging – Black Swan & Romulus My Father Essay\r'

'The experience of be is a secret serviceman instinct that is forged through and through level connections to place, people and eventually a world of thoughts that save our existence stable. The failure to maintain these connections depose precede to the eruption of alienation, isolation and tragedy. These intensely moving human experiences argon investigated in Raimond Gaita’s biographical narrative ‘Romulus My Father’ and Darren Aronofsky’s film ‘ colour shed’. Good morning teacher and classmates. The text ‘ colour throw up’ is a film directed by Darren Aronofsky.\r\nIt is about a ballerina, Nina, who is elected for the main fibre in the classic ballet performance betray Lake. She essential play some(prenominal) the exsanguine and stark set out but fag end tho saltation the white. She strives to belong in the position as the menacing swan and succeed in her exercise, but in doing so she spirals into insanit y. My collage of pictures from the movie portentous support, defines the immenseness of word experience as an essential foundation of be. Without the acceptance of a per debate-and-take into their surroundings, it becomes difficult for them to believe that they put peerless over a sense of be, which is what lead Nina to insanity.\r\nAlthough acceptance is a key federal agent in belonging, identity and relationships plenty alter the acceptance of the individual(a). This is displayed when Nina morphs into her evil twin, the filthy swan that eventually corrupts her identity and total sense of belonging. At times Nina doesn’t feel as though she belongs in herself. Her mind-controlling mother is a bigger factor in this as she obviously has border issues and keeps rigorous control over all phases of Nina’s life. Because of this callow way Nina is treated, she feels trapped in her give lowly world, causing her to feel a sense of non belonging.\r\nNina†™s bedroom is displayed in the movie as very juvenile with butterflies on the wall, a big white rabbit, a ballerina music blow and an over all theme of baby pink. The white rabbit next to the window is a sign of mind control, which originates from the movie Alice in Wonderland. By Alice undermentioned the rabbit she is lead to an alternate world, wonderland, which results in dissociation, on the nose what Nina feels throughout the movie. Throughout the movie Nina thrives to be true and belong in the role of the black swan.\r\nThomas, the ballet director selects Nina for the bank Queen, which means she has to play the roles of twain the white and black swan, both completely antonym characters. Thomas survives that the meticulous boundr is perfect for the role of White Swan, but knows Nina’s frigid fashion will struggle to pull off the twisted, knowledgeable and dangerous character of the sullen Swan. Whilst watching Nina dance he says, â€Å"I knew the White Sw an wouldn’t be a problem. The real work would be your metamorphosis into her evil twin. ” For Nina to belong in both roles as the White and Black Swan she must master good and evil; light and darkness.\r\nThis pattern of duality is so vital, but as Nina lets the Black Swan gain power she begins hallucinating and starts to enamour all sorts of strange mutations on her body. Nina has no composition how these appear and falls into an utter state of confusion, non feeling as though she belongs in her own skin anymore. Motifs world Mirrors and Black Wings be used throughout the movie as signs of psychosis and the aim of the Black Swan into Nina’s White Swan standardised character. The Black Swan evidently does not belong in Nina and at that placefore begins to destruct. Mirrors symbolically meditate the true state of Nina’s mind.\r\nAs the Black Swan continues to take over, creepy images are reflected as though it has a mind of its own. As these imag es are reflected Nina realises she does no longer belong to her own construction and that she has a completely separate creature vivacious inside her. It obviously does not belong in her as it acts totally out of her control. Right in the first place Ninas big performance as the Black Swan she fights against herself in her dressing room. During the fight a reflect breaks, this represents the collapse of the psychological boundary separating both creatures.\r\nThe smashing of the mirror, results in Nina becoming the Black Swan. Black go symbolically represent the force of the Black Swan into Nina, at different stages of the movie. Shortly after being crowned ‘Swan Queen’, Nina is fascinated by a creepy statue with wings spread. Little does she know it represents what she is about to become. Black Wings also appear on the back of Ninas friend Lily, and attached to Nina at the end of her ‘perfect’ performance as the Black Swan. She is briefly shown with black wings, symbolizing that she has become ‘one’ with the Black Swan and it now belongs inside her.\r\n after(prenominal) her transformation, Nina fails to maintain stability between places, people and her thoughts, and as stated in the thesis, this consequently leads to tragedy. The whole military operation of marrying the white and black, good and evil, light and dark consumes her. The black swan completely possesses her and becomes this destructive force that she cannot hump with. After a long process of tormenting her physically and mentally, Ninas sense of belonging finally collapses and she believes she cannot go on. The only way she can free herself is by committing suicide, and that she does.\r\nRaimond Gaita’s memoir ‘Romulus My Father’, tells the story of his set about Romulus who migrated to Australia with his married woman and son. Gaita’s story of his aim investigates the events of his life and defines the troubles that Romu lus had essay to belong to the Australian culture. Like Nina, Romulus tries his hardest and does everything he can to be accepted. Romulus My Father explores a sense of known belonging and how it shapes who we are. In the novel a unintelligible sense of belonging is present within the storyteller himself. The narrator delivers observations in a reflective and profound tone.\r\nHigh modality of verbs suggests pleasant nostalgia about events in the book. A sense of belonging between Raimond and his father is displayed in the quote, â€Å"I loved him too deep…no quarrel could estrange us”. however after Christina dies, Raimonds aspects of belonging is family and culture, â€Å"we came together as son and husband with the woman whose remains lay beneath us”. Juxtaposed against Raimonds belonging is suffering of Christina in her displacement. The mothers inability to belong is described by Raimond as â€Å"a troubled city girl, she could not take root… in a landscape that highlighted her isolation”.\r\nThe dispirit tone that Raimond conveys, suggests that Christine could not fit into the union and in Australia. Because of this lack of belonging she is lead to isolation and alienation, which results in her betraying her family, which is juxtaposed by â€Å"I felt inconvenient with her”. This shows Raimonds relationship with his mother has lost the familiar belonging it once contained. The parent and child relationship gives belonging to both Raimond and Romulus. Raimond gives his father strength to overcome continual tragedy, â€Å"my son is everything to me” and â€Å"never say I get in’t love you”.\r\nRomulus does everything he can to give his son a better life â€Å"he denied himself so I would have more”. another(prenominal) central themes that force the characterizations of Romulus and Raimond are cultural and issue belonging. Although pleasure and security is found in Victoria, a strong connection exists between Raimond and Romulus and their origin, Europe. Raimonds similes about his father display his sense of isolation in Australia, â€Å"he longed for European society, saying that he felt like a prisoner in Australia.\r\nRaimond found that there was an absence of belonging in Australia, which is a sense of nationality and ethnicity. Verbal irony is used by Raimond, â€Å"They called him jackfruit tree”, which shows that even though the town tried to bring forth Romulus belong by changing his name, he bland decided to keep his won. Even though Romulus belongs to his community he until now felt an absence of belonging that he did not want replaced with a easy name-change. The way that the narrator constantly refers to Europe displays that they still have a strong connection to their photographic plate where extra pleasure, comfort and sense of belonging can be found.\r\nOur belonging and who we are is shaped by our context. ‘Romulus M y Father’ by Raimond Gaita explores the definitive nature of cultural and familiar belonging. â€Å"Black Swan” by Darren Aronofsky allows the watchman to experience the dark side of entertainment through mind control, manipulation and immortality clashing with success and mention and the destruction that can be caused on an individual when they do not connect with their sense of belonging. in concert these texts allow us to examine both incontrovertible and negative aspects of belonging.\r\n'