Merging Art and Theater into Real Life in Six Characters in Search of a

Six Characters in Search of an Author by Luigi Pirandello In Six Characters in Search of an Author Pirandello illustrates the point that in cunning there is no one reality, only perceptions. Art is one perception held by the one artist, in the case of the play, the author, who brings this perception to an audience. To illustrate this principle, Pirandello uses many staging approaches and techniques to merge art and theater into real life, while highlighting the shortcomings of drama and art in imitating life. Four elements are used within the play the Characters themselves, the lines verbalise by the Characters, the play structure pertaining to acts and scenes, and the stage directions within the play. The first main area of art and reality colliding in the play is the existence of characters who are referred to as Characters. Pirandello stretches the bounds of meta-theater by having actors portray Characters who swear they are not actors, when faced with other actors playing actu al actors and a Director. The layers of unraveling of reality are astounding. The Characters must audition and convince not only the Actors and the Producer of their true nature, but also the audience. Pirandello must convey his beliefs about the essence of art through the mouths of Characters seemingly free-swimming to the actuality of the theater around them. In the play, the Producer acts on stage in place of the author, questioning the sincerity and the true nature of the Characters, who become his r...